Feminism Through the Lens of Flapper Fanny: A Modern Interpretation

• Angelina McFall, Art, University of Delaware

• Aaron Terry, Art & Design, University of Delaware

This series of screenprints draws inspiration from the iconic newspaper article “Flapper Fanny” by artist Ethel Hays. Reimagining its vintage style with a modern lens, each monochrome print, combines 1920s imagery with modern-day themes. This series bridges the gap between historical and current social challenges by juxtaposing the playful, flirtatious spirit of the flapper era with stark, critical reflections on modern feminist topics such as date rape, abortion, consent, and the over-sexualization of women. 

Continuing the Flapper Fanny legacy, these prints retain the visual motifs of the Roaring Twenties, including flapper dresses, the classic bob haircut, and stylized depictions of the feminine figure. Each piece features a thought provoking caption that contrasts with the period-appropriate aesthetics, thus creating a dialog on the evolution of women’s rights and societal attitudes over the past century.

This series consists of limited runs of 5-10 prints per design. By using a monochromatic black palette, the prints retain the look of the original newspaper cartoon and continue the visual coherence of the collection. This approach not only pays homage to feminist artist Ethel Hays’ original work but also serves to amplify cultural commentary, engaging audiences in the reflective conversation of the many struggles women face.